{"id":42,"date":"2021-06-20T14:38:37","date_gmt":"2021-06-20T13:38:37","guid":{"rendered":"http:\/\/www.edwinters.co.uk\/?page_id=42"},"modified":"2026-05-11T14:51:06","modified_gmt":"2026-05-11T13:51:06","slug":"biography","status":"publish","type":"page","link":"http:\/\/www.edwinters.co.uk\/?page_id=42","title":{"rendered":"Publications"},"content":{"rendered":"\n

RESEARCH<\/strong><\/p>\n\n\n\n

Books and Monographs:<\/strong><\/p>\n\n\n\n

Architectural Aesthetics: Appreciating Architecture As An Art<\/em>, London and New York: Bloomsbury Academic (forthcoming)<\/p>\n\n\n\n

Dealing with the Visual<\/em>, (eds.) Caroline van Eck and Edward Winters, (Translation into Chinese) forthcoming<\/p>\n\n\n\n

Aesthetics and Architecture<\/em>, London and New York: Continuum, 2007<\/p>\n\n\n\n

            Reviewed in:<\/p>\n\n\n\n

The Journal of Aesthetics and Art Criticism<\/em>, vol.66, no.3, Summer 2008, pp.305-7; The British Journal of Aesthetics<\/em>, vol.48, no.2, April 2008, pp.235-7; The Age<\/em>, December 17, 2007, p.16<\/p>\n\n\n\n

Dealing with the Visual<\/em>, (eds.) Caroline van Eck and Edward Winters, London: Ashgate, 2005<\/p>\n\n\n\n

            Reviewed in: <\/p>\n\n\n\n

The British Journal of Aesthetics<\/em>, vol.46, no.1, January 2006, pp102-4; Art History<\/em>, vol.30, Issue 5, November 2007, pp757-763<\/p>\n\n\n\n

Academic Papers, chapters in books, and Art Review and Journalism (include):<\/strong><\/p>\n\n\n\n

\u201cWhere Now and Towards What?\u201d in Trebuchet, <\/em>Issue 17, September 2025<\/p>\n\n\n\n

\u201cWhere Now and Towards What?\u201dThree Strands of Modernism\u201d, Trebuchet <\/em>Issue 16, November 2024<\/p>\n\n\n\n

\u2018\u201cArt\u2019s Dividing Line\u201d: The Colony Room Club and Kant on this one from the heart\u2019 in Trebuchet, <\/em>Issue 15, April 2024<\/p>\n\n\n\n

\u2018\u201cTime and Space\u201d: Priorities in the photography of Alexey Titarenko and Imogen Bloor\u2019, Trebuchet ,<\/em>Issue 13, 2023<\/p>\n\n\n\n

\u201dHail the new Etruscan\u201d: Photographic and cinematic portraiture\u2019 in Trebuchet<\/em>, Issue 7, November 2019.<\/p>\n\n\n\n

\u2018John Stezaker\u2019s Photo-Collage,\u2019 in Trebuchet,<\/em> Issue 4, 2018.<\/p>\n\n\n\n

\u2018\u201dAgainst Contemporary Convention,\u201dThe Resistant gaze in Kant\u2019s aesthetics\u2019 in Trebuchet,<\/em> Issue 3, April 2018.<\/p>\n\n\n\n

For Trebuchet online features and reviews,<\/strong> click here: <\/strong>https:\/\/www.trebuchet-magazine.com\/author\/edwardw\/<\/a> <\/p>\n\n\n\n

‘The World Is Not Enough’ in John Haldane (ed.) The Monist, <\/em>special issue, The Aesthetics of Everyday <\/em>(ed.)Volume 101, Issue 1, January 2018<\/p>\n\n\n\n

‘Home Is Where The Heart Is: Taking Architecture Personally’ in David Goldblatt, Lee B. Brown and Stephanie Partridge (eds.), Aesthetics: A Reader in Philosophy of the Arts<\/em>, New York: Routledge, 2017<\/p>\n\n\n\n

‘Uncanny absence and imaginative presence in Dalwood’s paintings’ in Damien Freeman and Derek Matravers, (eds.) Figuring Out Figurative Art, <\/em>Oxford and New York: Routledge, 2015<\/p>\n\n\n\n

‘Architecture’ in Berys Gaut and Dominic McIver Lopes, (eds.) The Routledge Companion to Aesthetics, <\/em>(3rd edition),New York: Routledge, 2013<\/p>\n\n\n\n

‘Image Economies and the Erotic Life of the Unlovely’ in Hans Maes, (ed.) Pornographic Art and the Aesthetics of Pornography<\/em>, New York: Palgrave Macmillan, 2013<\/p>\n\n\n\n

‘Against Neatness and the Neateners Who Would Neaten Us’ in Andy Hamilton and Nick Zangwill, (eds.) Roger Scruton’s Aesthetics,<\/em> New York: Palgrave Macmillan, 2012<\/p>\n\n\n\n

\u2018A Dance to the Music of Architecture\u2019 in Journal of Aesthetics and Art Criticism<\/em>, vol. 69. Issue 1, Winter 2011<\/p>\n\n\n\n

\u2018How to Appreciate the Finger-Tip Save\u2019 in Ted Richards, (ed.) Soccer and Philosophy<\/em>, Chicago: Open Court, 2010<\/p>\n\n\n\n

\u2018Architecture\u2019, in Stephen Davies, Kathleen Higgins, Robert Hopkins and Robert Stecker, (eds.) The Blackwell Companion to Aesthetics<\/em>, Oxford: Basil Blackwell, 2009<\/p>\n\n\n\n

\u2018Review of Gordon Graham, The Re-Enchantment of the World<\/em>, Oxford University Press, 2007\u2019 in British Journal of Aesthetics<\/em>, 2009<\/p>\n\n\n\n

‘Architecture’ in Berys Gaut and Dominic McIver Lopes, (eds.) The Routledge Companion to Aesthetics, <\/em>(2nd edition), New York: Routledge, 2005<\/p>\n\n\n\n

 \u2018Aspects, Images and Pictures\u2019, in Discourses of the Visual<\/em>, (eds.) Caroline van Eck and Edward Winters, London, Ashgate, 2005<\/p>\n\n\n\n

‘Architecture’, (revised) in Berys Gaut and Dominic McIver Lopes (eds.), The Routledge Companion to Aesthetics<\/em>, (2nd<\/sup> edition), London, Routledge, 2005<\/p>\n\n\n\n

‘Art, Architecture, Artists and Architects’ in  Architecture and Celebrity<\/em>, (eds.) Paul Davies and  Torsten Schmiedeknecht, London: Architectural Press, 2005<\/p>\n\n\n\n

\u2018Pictures and Their Surfaces: Wollheim on \u201cTwofoldness\u201d\u2019, in \u0394\u03b1\u03af\u03bc\u03c9\u03c5. Revista de Filosof\u00eda, no.28, 2003<\/p>\n\n\n\n

‘Art, Architecture and Their Public’ in Journal of Architecture<\/em>, vol. 6., no. 3, December 2002<\/p>\n\n\n\n

\u2018The Wake of the Avant-Garde\u2019 inJournal of Architecture<\/em>, vol. 5., no.1, Spring 2001<\/p>\n\n\n\n

\u2018Architecture\u2019 in Berys Gaut and Dominic McIver Lopes (eds.), The Routledge Companion to Aesthetics<\/em>, London, Routledge, 2001<\/p>\n\n\n\n

\u2018Sacraria<\/em>, Tragedy and the Interior Narrative\u2019, inArchitectural Design<\/em>, November 2000<\/p>\n\n\n\n

\u2018New Art and Humanism\u2019, in Demarco: Art and Philosophy<\/em>, (ed.) John Haldane, Stanley Picker Gallery, Kingston University, 2000<\/p>\n\n\n\n

‘Architecture’ in Berys Gaut and Dominic McIver Lopes, (eds.) The Routledge Companion to Aesthetics, <\/em>(1st edition),New York: Routledge, 2000<\/p>\n\n\n\n

\u2018Art After the Avant-Garde, in Paletten <\/em>(Swedish art quarterly), October 2000<\/p>\n\n\n\n

\u2018Book Symposium: Building Ideas<\/em>. By Jonathan Hale\u2019 in Journal of Architecture<\/em>, vol 5, no 3, Winter 2000<\/p>\n\n\n\n

\u2018Architecture and Human Purposes\u2019 in The Journal of Architecture<\/em>, vol. 4, no. 1, Spring 1999                                                     <\/p>\n\n\n\n

\u2018Pictorial Variations\u2019, British Journal of Aesthetics<\/em>, vol. 38, no. 3, July 1998<\/p>\n\n\n\n

\u2018On Aesthetic Appreciation\u2019, Journal of Aesthetic Education<\/em>, July 1998<\/p>\n\n\n\n

\u2018The Role of Experience in the Appreciation of the Visual Arts\u2019, in Annales d\u2019Esthetique<\/em>,  1996<\/p>\n\n\n\n

\u2018The Critical Condition of Visual Art\u2019, Nordisk Estetik Tidskrift<\/em>, No. 16, 1996      <\/p>\n\n\n\n

\u2018Architecture, Meaning and Significance\u2019, The Journal of Architecture<\/em>,  vol. 1, no. 1, July 1995<\/p>\n\n\n\n

\u2018\u201dReligion\u201d, Transcendence, the Light and the Dark\u2019, Art & Design<\/em>, January 1995<\/p>\n\n\n\n

\u2018The Built Environment, The Aesthetic Environment and their Points of Congruence\u2019, Annales d\u2019Esthetique<\/em>, 1995<\/p>\n\n\n\n

\u2018Aesthetic Representations\u2019 British Journal of Aesthetics<\/em>, vol.34, no.3, July 1994<\/p>\n\n\n\n

\u2018Technological Progress and Architectural Response\u2019, in British Journal of Aesthetics<\/em>, vol. 32, no. 2, April 1992<\/p>\n\n\n\n

\u2018The Limits and Possibilities of Fashion in Painting\u2019 in Proceedings of the XIth International Congress of Aesthetics<\/em>, (ed.) Richard Woodfield, Trent Polytechnic Press, 1989<\/p>\n\n\n\n

Art and Architectural Criticism (include):<\/strong><\/p>\n\n\n\n

\u2018Georges Braque: A Life<\/em>. By Alex Danchev\u2019, in Modern Painters<\/em>, September 2005<\/p>\n\n\n\n

\u2018<\/strong>Picasso: The Real Family History<\/em>. By Olivier Widmaier Picasso, and Guernica<\/em>: The Biography of a Twentieth-Century Icon<\/em>. By Gijs van Hensbergen\u2019, in Modern Painters<\/em>, January 2005<\/p>\n\n\n\n

‘Architecture and Surrealism<\/em>‘, in The Architect’s Journal<\/em>, March 2005<\/p>\n\n\n\n

\u2018In Memory of Richard Wollheim\u2019 in Modern Painters<\/em>, Spring 2004<\/p>\n\n\n\n

‘A Family Affair; The Architect and His Wife: a Life of Edwin Lutyens<\/em>‘ in The Architect’s Journal<\/em>, 21\/12\/ 2002                            <\/strong><\/p>\n\n\n\n

\u2018Nostalgia for the Future: Libeskind at the Soane<\/em>\u2019, in The Architects\u2019 Journal<\/em>, vol. 213, no. 3, January 2001<\/p>\n\n\n\n

\u2018Jane Prophet\u2019s Conductor<\/em>\u2019, in Modern Painters<\/em>, vol. 13, no. 4, Winter 2000<\/p>\n\n\n\n

\u2018Museum as Muse\u2019, in Modern Painters<\/em>, vol. 12, no. 2, Summer 1999<\/p>\n\n\n\n

\u2018Patrick Caulfield\u2019s Waiting Rooms\u2019, in Modern Painters<\/em>, vol. 12, no. 1, Spring 1999<\/p>\n\n\n\n

\u2018Tai-Shan Schierenberg and the Portraitist\u2019s Dilemma\u2019, Modern Painters<\/em>, vol. 10, no. 4, Winter 1997<\/p>\n\n\n\n

\u2018Duane Hanson at the Saatchi Gallery\u2019, Modern Painters<\/em>, vol. 10, no. 2, Summer 1997<\/p>\n\n\n\n

\u2018Mixed Doubles: Edward and Nancy Kienholz at the Whitney; Langlands and Bell at the Serpentine\u2019, Modern Painters<\/em>, vol. 9, no. 2, Summer 1996<\/p>\n\n\n\n

\u2018At Issue: Picturing Blackness in British Art\u2019 Modern Painters<\/em>, vol. 9, no. 1, Spring 1996<\/p>\n\n\n\n

The Classical Vernacular: Architecture in the Age of Nihilism<\/em>. By Roger Scruton, Philosophical Quarterly<\/em>, April 1996<\/p>\n\n\n\n

Art, Representation, Education<\/em>. By Donald Brook, British Journal of Aesthetics<\/em>, July 1995<\/p>\n\n\n\n

Critical Aesthetics and Postmodernism and Art and Embodiment<\/em>. Both by Paul Crowther, Philosophical Quarterly<\/em>,  January 1995<\/p>\n\n\n\n

\u2018Richard Wilson\u2019s Watertable<\/em>\u2019, Modern Painters<\/em>, vol. 7, no. 2, Summer 1994       <\/p>\n\n\n\n

Commissioned Catalogues (include):<\/strong><\/p>\n\n\n\n

            <\/strong>Marcus Rees Roberts<\/em>, (monograph), Pratt Contemporary Art (forthcoming)<\/p>\n\n\n\n

Olga Davenport<\/em>, 2009 (monograph) available at: http:\/\/olgadavenport.com\/<\/a><\/p>\n\n\n\n

Frances Blane, Berlin and London, 2006<\/p>\n\n\n\n

            <\/strong>Andy Pankhurst, Browse and Darby, 2005                           <\/strong><\/p>\n\n\n\n

Tai-Shan Schierenberg, Flowers East Gallery, December 1997<\/p>\n","protected":false},"excerpt":{"rendered":"

RESEARCH Books and Monographs: Architectural Aesthetics: Appreciating Architecture As An Art, London and New York: Bloomsbury Academic (forthcoming) Dealing with the Visual, (eds.) Caroline van Eck and Edward Winters, (Translation into Chinese) forthcoming Aesthetics and Architecture, London and New York: Continuum, 2007             Reviewed in: The Journal of Aesthetics and Art Criticism, vol.66, no.3, Summer […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.edwinters.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/42"}],"collection":[{"href":"http:\/\/www.edwinters.co.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.edwinters.co.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.edwinters.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.edwinters.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=42"}],"version-history":[{"count":7,"href":"http:\/\/www.edwinters.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/42\/revisions"}],"predecessor-version":[{"id":416,"href":"http:\/\/www.edwinters.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/42\/revisions\/416"}],"wp:attachment":[{"href":"http:\/\/www.edwinters.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}