RESEARCH
Books and Monographs:
Architectural Aesthetics: Appreciating Architecture As An Art, London and New York: Bloomsbury Academic (forthcoming)
Dealing with the Visual, (eds.) Caroline van Eck and Edward Winters, (Translation into Chinese) forthcoming
Marcus Rees Roberts, Pratt Contemporary Art, (Monograph) (forthcoming to coincide with Rees Roberts’ solo show at Knoedler, New York)
Aesthetics and Architecture, London and New York: Continuum, 2007
Reviewed in:
The Journal of Aesthetics and Art Criticism, vol.66, no.3, Summer 2008, pp.305-7; The British Journal of Aesthetics, vol.48, no.2, April 2008, pp.235-7; The Age, December 17, 2007, p.16
Dealing with the Visual, (eds.) Caroline van Eck and Edward Winters, London: Ashgate, 2005
Reviewed in:
The British Journal of Aesthetics, vol.46, no.1, January 2006, pp102-4; Art History, vol.30, Issue 5, November 2007, pp757-763
Academic Papers and chapters in books (include):
‘The World Is Not Enough’ in John Haldane (ed.) The Monist, special issue, The Aesthetics of Everyday (ed.)Volume 101, Issue 1, January 2018
‘Home Is Where The Heart Is: Taking Architecture Personally’ in David Goldblatt, Lee B. Brown and Stephanie Partridge (eds.), Aesthetics: A Reader in Philosophy of the Arts, New York: Routledge, 2017
‘Uncanny absence and imaginative presence in Dalwood’s paintings’ in Damien Freeman and Derek Matravers, (eds.) Figuring Out Figurative Art, Oxford and New York: Routledge, 2015
‘Architecture’ in Berys Gaut and Dominic McIver Lopes, (eds.) The Routledge Companion to Aesthetics, (3rd edition),New York: Routledge, 2013
‘Image Economies and the Erotic Life of the Unlovely’ in Hans Maes, (ed.) Pornographic Art and the Aesthetics of Pornography, New York: Palgrave Macmillan, 2013
‘Against Neatness and the Neateners Who Would Neaten Us’ in Andy Hamilton and Nick Zangwill, (eds.) Roger Scruton’s Aesthetics, New York: Palgrave Macmillan, 2012
‘A Dance to the Music of Architecture’ in Journal of Aesthetics and Art Criticism, vol. 69. Issue 1, Winter 2011
‘How to Appreciate the Finger-Tip Save’ in Ted Richards, (ed.) Soccer and Philosophy, Chicago: Open Court, 2010
‘Architecture’, in Stephen Davies, Kathleen Higgins, Robert Hopkins and Robert Stecker, (eds.) The Blackwell Companion to Aesthetics, Oxford: Basil Blackwell, 2009
‘Review of Gordon Graham, The Re-Enchantment of the World, Oxford University Press, 2007’ in British Journal of Aesthetics, 2009
‘Architecture’ in Berys Gaut and Dominic McIver Lopes, (eds.) The Routledge Companion to Aesthetics, (2nd edition), New York: Routledge, 2005
‘Aspects, Images and Pictures’, in Discourses of the Visual, (eds.) Caroline van Eck and Edward Winters, London, Ashgate, 2005
‘Architecture’, (revised) in Berys Gaut and Dominic McIver Lopes (eds.), The Routledge Companion to Aesthetics, (2nd edition), London, Routledge, 2005
‘Art, Architecture, Artists and Architects’ in Architecture and Celebrity, (eds.) Paul Davies and Torsten Schmiedeknecht, London: Architectural Press, 2005
‘Pictures and Their Surfaces: Wollheim on “Twofoldness”’, in Δαίμωυ. Revista de Filosofía, no.28, 2003
‘Art, Architecture and Their Public’ in Journal of Architecture, vol. 6., no. 3, December 2002
‘The Wake of the Avant-Garde’ inJournal of Architecture, vol. 5., no.1, Spring 2001
‘Architecture’ in Berys Gaut and Dominic McIver Lopes (eds.), The Routledge Companion to Aesthetics, London, Routledge, 2001
‘Sacraria, Tragedy and the Interior Narrative’, inArchitectural Design, November 2000
‘New Art and Humanism’, in Demarco: Art and Philosophy, (ed.) John Haldane, Stanley Picker Gallery, Kingston University, 2000
‘Architecture’ in Berys Gaut and Dominic McIver Lopes, (eds.) The Routledge Companion to Aesthetics, (1st edition),New York: Routledge, 2000
‘Art After the Avant-Garde, in Paletten (Swedish art quarterly), October 2000
‘Book Symposium: Building Ideas. By Jonathan Hale’ in Journal of Architecture, vol 5, no 3, Winter 2000
‘Architecture and Human Purposes’ in The Journal of Architecture, vol. 4, no. 1, Spring 1999
‘Pictorial Variations’, British Journal of Aesthetics, vol. 38, no. 3, July 1998
‘On Aesthetic Appreciation’, Journal of Aesthetic Education, July 1998
‘The Role of Experience in the Appreciation of the Visual Arts’, in Annales d’Esthetique, 1996
‘The Critical Condition of Visual Art’, Nordisk Estetik Tidskrift, No. 16, 1996
‘Architecture, Meaning and Significance’, The Journal of Architecture, vol. 1, no. 1, July 1995
‘”Religion”, Transcendence, the Light and the Dark’, Art & Design, January 1995
‘The Built Environment, The Aesthetic Environment and their Points of Congruence’, Annales d’Esthetique, 1995
‘Aesthetic Representations’ British Journal of Aesthetics, vol.34, no.3, July 1994
‘Technological Progress and Architectural Response’, in British Journal of Aesthetics, vol. 32, no. 2, April 1992
‘The Limits and Possibilities of Fashion in Painting’ in Proceedings of the XIth International Congress of Aesthetics, (ed.) Richard Woodfield, Trent Polytechnic Press, 1989
Art and Architectural Criticism (include):
‘Georges Braque: A Life. By Alex Danchev’, in Modern Painters, September 2005
‘Picasso: The Real Family History. By Olivier Widmaier Picasso, and Guernica: The Biography of a Twentieth-Century Icon. By Gijs van Hensbergen’, in Modern Painters, January 2005
‘Architecture and Surrealism‘, in The Architect’s Journal, March 2005
‘In Memory of Richard Wollheim’ in Modern Painters, Spring 2004
‘A Family Affair; The Architect and His Wife: a Life of Edwin Lutyens‘ in The Architect’s Journal, 21/12/ 2002
‘Nostalgia for the Future: Libeskind at the Soane’, in The Architects’ Journal, vol. 213, no. 3, January 2001
‘Jane Prophet’s Conductor’, in Modern Painters, vol. 13, no. 4, Winter 2000
‘Museum as Muse’, in Modern Painters, vol. 12, no. 2, Summer 1999
‘Patrick Caulfield’s Waiting Rooms’, in Modern Painters, vol. 12, no. 1, Spring 1999
‘Tai-Shan Schierenberg and the Portraitist’s Dilemma’, Modern Painters, vol. 10, no. 4, Winter 1997
‘Duane Hanson at the Saatchi Gallery’, Modern Painters, vol. 10, no. 2, Summer 1997
‘Mixed Doubles: Edward and Nancy Kienholz at the Whitney; Langlands and Bell at the Serpentine’, Modern Painters, vol. 9, no. 2, Summer 1996
‘At Issue: Picturing Blackness in British Art’ Modern Painters, vol. 9, no. 1, Spring 1996
The Classical Vernacular: Architecture in the Age of Nihilism. By Roger Scruton, Philosophical Quarterly, April 1996
Art, Representation, Education. By Donald Brook, British Journal of Aesthetics, July 1995
Critical Aesthetics and Postmodernism and Art and Embodiment. Both by Paul Crowther, Philosophical Quarterly, January 1995
‘Richard Wilson’s Watertable’, Modern Painters, vol. 7, no. 2, Summer 1994
Commissioned Catalogues (include):
Marcus Rees Roberts, (monograph), Pratt Contemporary Art (forthcoming)
Olga Davenport, 2009 (monograph) available at: http://olgadavenport.com/
Frances Blane, Berlin and London, 2006
Andy Pankhurst, Browse and Darby, 2005
Tai-Shan Schierenberg, Flowers East Gallery, December 1997